Article by: Kiersten Brackelman, Contributing Writer

Theatre USA closed its first show of the spring semester on February 28. “Philemon” is a 1973 musical written by Tom Jones and composed by Harvey Schmidt. It had its first performance in January 1975 and closed in 1999. This creative duo has also worked together on other musical theatre pieces such as “I Do! I Do!” and “The Fantasticks.”

Directed by John Nara, this production explores the importance of thematic principles such as faith, hope, and love. The message aims to remind audiences that no matter the success of a person or the power they think they possess, they are nothing without love. The performances were held at the Laidlaw Performing Arts Center on February 20, 21, 26, 27, and 28 at 7:30 p.m., with a matinee performance held at 2:00 p.m. on February 22.

“Philemon” is set in 3rd century Antioch and follows a story of faith surrounding the main character, Cockian (Ari Theodore), a street clown who is facing execution. He encounters Roman soldiers Servillus (Josef Holloway) and Marcus (Caden Crenshaw), with whom he makes a deal to impersonate a Christian martyr, with the promise of having his criminal history erased. While in prison, he meets Andos (Matthew Welch), a young Christian prisoner who reminds him of his deceased son. Andos’ devotion to his faith encourages Cockian to grow from his self-serving ways and opens his eyes to the idea of faith and the power of love. 

This production also had a host of talented female leads, including musical performances from Kiki (Rae Philips), Marsyas (Lilly Johnson), and Wife/Woman (Erin Rose Pempel). These three contribute greatly to the plot as they each teach Cockian important lessons about himself, such as humility, loyalty, and love. Additionally, the chorus (Diamond Bradley, Psi Corley, Asia Keeling-Reeves, Avery Morton, Sklya Shoemaker, and William Starling) added strong musical support to the story throughout the duration of the play. These musical components were directed by music director Daniel Driskell and choreographer Sydney Cramer.

The lighting, costumes, makeup, props, and set design were all dynamic contributions to the performance. The costumes, hair and makeup were delegated by Christina Johnson, the costume shop supervisor and the hair and makeup designer. Props were contributed by props masters Josef Holloway and Psi Corley. The set was designed by Evan Wilson, and Quincy Smith, the scenic charge artist, was responsible for its creation. The lighting was designed by Danie L. Taylor.

For more information about Theatre USA and their future productions, check out their Instagram: @usatheatreanddance. Their last performance of the spring semester will be “Skeleton Crew,” by Dominique Morissea.